Virge's blog

Myth-seeding

"Whenever a poet or preacher, chief or wizard spouts gibberish, the human race spends centuries deciphering the message." - Umberto Eco, Foucault's Pendulum.

You want to be remembered long after you're dead? Write nonsense. Make sure it sounds tantalizingly like there's a hidden meaning. Do inexplicable things. Write reams of poetry about things so banal that readers of the future will be convinced it's an intricately coded message. Make bold claims, then deny them, vehemently. Talk often with strange people. Make donations to obscure cults. Maintain an unsanitary habit... in public. Be enigmatically different.

Why did this principle work? How did it work?

We have no way to experience a continuous and complete lack of consciousness (by definition). Death is ineffable. Fear of the finality of death forces most of us to search for ways to deny it. The supernatural provides an unprovable and irrefutable arena for exercising our wishful imaginations. The real world with its statistically unlikely coincidences provides fuel for apophenia and reinforces our certainty that the truth is out there. If there is a greater truth in the supernatural, then it's fair to assume that someone on earth knew something about it. Whoever was gifted with this gnosis would surely have tried to: (a) share it with an ignorant world; (b) use that knowledge to achieve some end; or (c) hide it in code because it was too dangerous for everyone to wot of.

Take any piece of gibberish that was written at least a couple of centuries ago. It will fit one or more of the following:

  • (a) If nobody today really understands it, then the writer must have known more than we do about something. The text is meant for instruction, but we are too limited in our understanding.
  • (b) If the writer is known at all today, then that fame must have arisen from something special about the writer. The existence and availability of the text confirms that the writer was using some power to achieve an end.
  • (c) It only appears to be gibberish because it contains so much encrypted information. If the writer went to so much trouble to encrypt it, the knowledge must be extremely valuable.

Of course there only has to be one or two examples of intentionally hidden information in historic documents to make one suspect more. The default explanation -- that the writer was expressing contemporary ignorance or possibly just making it up because it was fun to do so -- is unsatisfying compared with a potential epiphany.

Now I'll let you in on a secret. Those who wrote gibberish that has perplexed readers over the centuries have either cunningly or unwittingly ensured an extension of their earthly influences. They've achieved the best approximation of immortality that nature is prepared to offer -- to be remembered.

About at this point I'd better revise my first statement. Too many people have access to publication. Too many people write gibberish. It's not enough to be eccentric.

You want to be remembered long after you're dead? Either do something of lasting value, or become famous and then write gibberish.

Honorable Mention

I made it to the extra page of honorable mentions in the Washington Post Style Invitational with these limericks:

Our beautiful anthem arose
From our nation's great culture. It goes:
"We shall cherish our peace
And our joy will increase
As we dance in the blood of our foes."

An aoudad; yeah, that's wot I am
And I've been one since I wuz a lamb.
I'm a big-horny dude;
All the ewes wot I've wooed
Call me baa baa baa Barbary ram.

Old Aussies

I was reading an interview with Nick Cave in a Sunday supplement of The Age. Sometimes a quote resonates. This one reverberated and keeps on ringing:

"I feel Australian to the core. You feel it in your bones, because you're at odds with everybody else, in the sense that people always seem to be behaving strangely." - Nick Cave

I'm past the stage of looking at people and wondering "Can't they see that <insert rational, logical, self-evident, irrefutable, bite-sized chunk of truth>?" I know the answer. And I know that there are perceptive, intelligent people who observe my actions and wonder why I behave so strangely. No matter where you are in this universe, the stars appear to be moving away from you. It's very tempting to think you're at the centre.

I guess the best you can hope for is to find people who share your own strangeness. I've found a few and I'm sticking with them.

Twanging the Strings of Memory

Last night I was an accompanist. DaughterOfVirge had to perform for a school assessment. It was a small soirée in a back room of the school hall. The audience comprised fellow music students, several parents, a senior music teacher and a video camera. DaughterOfVirge will have the dubious pleasure of analysing our performance on video.

She was one of 5 students to present a repertoire last night. It was one of the other students who twanged the strings of my memory by playing a toccata by Khachaturian. All of a sudden, images from a quarter of a century ago started popping into my head. I don't think I'd heard that toccata at all in the intervening years.

I was back in the lounge room of my music teacher. (I remember she had two enormous rough-haired Chow Chows, one of which would always howl whenever my sister played Greig. We could never work out if the dog was complaining or singing along.) It was during a music lesson. I was performing with gusto. I think the section I was up to was marked fortississississimo, or some such excess, when 'bang'.

Those familiar with pianos would realise that a grand piano is not meant to go 'bang'.

TeacherOfVirge was none too happy. She was probably not expecting to include broken string replacement in her budget. I shrugged it off. It meant little to me at the time.

I was sitting in a performance assessment again, wondering what I'd be doing now had I decided to pursue a career in music performance instead of engineering. I'd probably be numbing my brain as a private piano teacher to keep some sort of regular income stream while trying to make performance pay.

No regrets.

Father's Day Limericks

I looked at the cards on display for Father's Day and found myself frustrated. There were stiff-upper-lip formal cards with compasses and yachts and mature blokey images. There were ever-faithful dog cards and from-your-silly-little-kid cards. There were rows and rows of how-many-times-can-we-frame-the-same-joke card.

I gave up. I had Saturday evening to spare, so I was sure I'd come up with something if I forced myself to create a card with a personal message. Here it is.

When that noise they play can't be a song
'Cause it sounds like it's sung by King Kong,
When the shows that they watch
Seem to dwell on the crotch --
Makes you wonder just when things went wrong.

When you've led them to where they belong
Yet your child (whom you thought would stay strong)
In apostasy, strays
Into prodigal ways --
Makes you think, "Did I do something wrong?"

When your grandchildren join the goth throng,
Or play role-playing games all day long
And you see them begin
To stick studs through their skin --
Makes you wonder, "Where did I go wrong?"

When your family grows healthy and bright,
When they're stable, mature and polite,
When they earn peer respect
Then it's fair to expect...


...Someone else gets the praise for that, right?

Happy Father's Day

Almost a month

The news is spreading. Today the Washington Post Style Invitational had the Omnificent English Dictionary In Limerick Form as the basis for a limerick competition.

It's been almost a month since I wrote any limericks for the OEDILF. I took a break from the coding and wrote a few this evening:

Our abode, dear (that place with the smell),
Is our palace (it's more like a cell)
Where we (plus your mother)
Can be (at each other)
Together (a foretaste of hell).

Aftertaste is the flavour you find
You can taste even after you've dined.
And it pains me to say
That the fast food today
Is what's left after taste's left behind.

Quoth the office wall icon, 'Achieve!
'You can if you'll only believe.'
Then I saw a bright light,
Found the truth in the trite;
Now I walk a new path, 'self-deceive'.

If you say that it must be admitted
That you tried it for size as you knitted,
And your shape for the sweater
Is sure to be better
Then admittedly it'd be fitted.

The agathis leaves, as they grow,
Become smaller and straighter. They go
From a coppery red
To a grey green instead.
It's like autumn if time reversed flow.

You see things -- what they are you can't place.
That's an object agnosia case.
But with prosopagnosia
A person who knows ya
Won't recognize you by your face.

The pet I shall get for my belle
Is a tame Asiatic gazelle
From a small Persian zoo
Where they breed the ahu.
Should I buy her a lion as well?

Aholiab: his life we'll condense
To 'a weaver'. You'll wonder from whence
Comes his fame. He's renowned
As a man who had found
His religious experience in tents.

View More Limericks

Wonderful Copenhagen?

Shahriar Afshar is stirring things up in the world of physics. It would be wonderful to see a couple of quantum interpretations bite the dust but there's probably more here than meets the photon detector.

Wantonly Quantumly
Physicist Shahriar
Finds the dark fringes of
Double-slits not

Wholly consistent with
Complementarity,
Throwing out Bohr-ing old
Photons as rot.

Other Double Dactyls

Omnificent!

The OEDILF has changed its name. For legal trademark reasons we can't continue to use the Oxford English Dictionary as part of our name. From now on we shall be the Omnificent English Dictionary In Limerick Form.

Omnificent means unlimited in creative power. Perhaps it's a pretentious term to apply to anything tangible, but as an aspirational statement it lets everybody know how high we've set our sights. 650 words down; half a million to go.

The web database is pretty close to public release. We've been entering and workshopping limericks in it and it's been pretty stable. Fun times are coming.

A DD for OEDILF

Versilly Tersilly
O-E-D-I-L-F,
Spawned in the warmth where the
Linguaphiles stay,

Showed simple verse could seed
Hyper-fecundity;
Tell me the truth, "Was it
"Word- or fore- play?"

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